Publications

  • Miguel Ortiz, Mick Grierson, Atau Tanaka. Brain Musics: History, Precedents, and Commentary on Whalley, Mavros and Furniss. Empirical Musicology Review. Vol. 9 No. 3-4, 2015
  • Miguel A. Ortiz. A Brief History of Biosignal-Driven Art: From biofeedback to biophysical performance. In eContact! 14.3 Canadian Electroacoustic Community 2012.
  • Miguel A. Ortiz, Benjamin Knapp, Niall Coghlan and Javier Jaimovich. Biosignal- Driven Art Beyond Biofeedback. In Ideas Sonicas-Sonic Ideas. Vol. 3 No. 2 CMMAS Morelia, México, 2011.
  • Miguel A. Ortiz, Benjamin Knapp, and Michael Alcorn. Díamair: composing for choir and integral music controller. In Proceedings of the 7th international con- ference on New interfaces for musical expression, pages 289–292, New York, New York, 2007. ACM. doi:10.1145/1279740.1279802.
  • Miguel A. Ortiz and R. Benjamin Knapp. Biotools: Introducing a Hardware and Software Toolkit for Fast Implementation of Biosignals for Musical Applications. Proceedings of the International Computer Music Conference, Copenhagen, Den- mark, August 25-29, 2007
  • Miguel A. Ortiz and R. Benjamin Knapp. BioTools: a biosignal toolbox for composers and performers. In Computer Music Modeling and Retrieval. Sense of Sounds: 4th International Symposium, CMMR 2007, Copenhagen, Denmark, Au- gust 27-31, 2007. Revised Papers, pages 441–452. Springer-Verlag, 2008. ISBN 978-3-540-85034-2.
  • Benovoy, M. et al., 2007. Audiovisual content generation controlled by physiological signals for clinical and artistic applications. In Proceedings of the 3rd summer workshop on Multimodal Interfaces (eNTERFACE07), Istanbul, Turkey.